Broadcast News
Broadcast News - Albert Brooks gives it to Holly Hunter straight
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Broadcast News $5.99 Broadcast News |
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After Broadcast News $32.66 After Broadcast News |
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Broadcast News and Writing Stylebook $63.55 Broadcast News and Writing Stylebook |
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Workbook for Broadcast News Writing for Professionals $10.8 Workbook for Broadcast News Writing for Professionals |
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Associated Press Broadcast News Handbook $15.59 Associated Press Broadcast News Handbook |
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Discourse of Broadcast News $45.95 Exploring the discourse of broadcast news, with a particular focus on TV and radio, this book examines the constraints under which the news is produced. Topical examples, such as the Andrew Gilligan case illustrate the text. |
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Known World of Broadcast News $41.95 A comprehensive empirical and theoretical study of broadcast news throughout the world, which examines the effects of syndication and questions whether this fiercely competitive business satisfies the democratic demands of its audience. |
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Broadcast News (Criterion Collection $22.5 Rated: RSynopsis: In the 1970s, the name James L. Brooks (The Mary Tyler Moore Show, Taxi, Terms of Endearment, The Simpsons) was synonymous with intelligent television comedy—his shows were insightful about work and love and always tapped into the zeitgeist. With his transition to film in the 1980s, he became a master Hollywood storyteller, and none of his films was more quintessentially Brooks than BROADCAST NEWS. This caustic inside look at the Washington news media stars Holly Hunter (Raising Arizona, The Piano), in her breakout role, as a feisty television producer torn between an ambitious yet dim anchorman (William Hurt) and her closest confidant, a cynical veteran reporter (Albert Brooks). Brooks’s witty, gently prophetic entertainment is a captivating transmission from an era in which ideas on love and media were rapidly changing. |
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Broadcast News Handbook, 4th Edition $42.5 Broadcast News Handbook enables students and professionals to become better writers and better broadcast journalists. Backed by 50 years of combined broadcast journalism experience, the authors provide helpful discussions on crafting language and becoming an effective storyteller. Topics addressed include "Deadly Copy Sins and How to Avoid Them"; "Interviewing: Getting the Facts and the Feelings"; "Producing TV News"; and "Writing Sports." |
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Broadcast News (with InfoTrac®), 4th Edition $116.99 Enhance your understanding of broadcast journalism with BROADCAST NEWS with InfoTrac®! With coverage of every aspect of broadcast journalism, including writing, reporting, and production, this best-selling communication provides you with the tools you need to succeed. Clear and well-organized discussions and explanations, suggestions from professional journalists, and actual, real-world examples are just a few of the features that make learning easy. |
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Broadcast News Writing Stylebook by Papper, Robert A. Edition , 2 $13.49 Broadcast News Writing Stylebook. Papper, Robert A. |
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Broadcast News and Writing Stylebook, Fourth Edition $26.99 The first and most widely used handbook in broadcast news, this book clearly and concisely outlines the rules of broadcast news writing, reporting, grammar, style, and usage. The Broadcast News and Writing Stylebook is the everyday resource for both beginning and advanced writers of broadcast news. With chapter-by-chapter coverage of story types, from business stories to crime and legal reporting, education, government, health, the environment, weather, and sports, the Broadcast News and Writing Stylebook lays out the particular demands of composition, form, style, and usage in all the diverse areas of broadcast news. |
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Broadcast News Writing, Reporting, and Producing $32.47 Broadcast News Writing, Reporting, and Producing presents a solid foundation for any student learning how to become a broadcast journalist in today's world of convergent journalism. The broadcast industry continues to morph as newer and more advanced content platforms are hatched and developed, and broadcast journalists must understand how to writer, report, and produce for multiple platforms simultaneously.Broadcast News Writing, Reporting, and Producing is completely overhauled to reflect the trends of convergent journalism on every page. New co-author Frank Barnas brings a multi-faceted perspective of writing, reporting, and producing that allows for multi-platform delivery systems, and shows students with real-world examples the functions and practices of today's media. The new edition has been rewritten and restructured to accommodate common 16-week course modules, and is now divided into four major sections of the news: gathering, writing, reporting, and producing.The comprehensive approach of this text brings a multi-tiered perspective of writing, reporting, and producing that is needed more than ever in today's world of convergent journalism. New photos and illustrations, a restructuring of the text, expanded end-of-chapter exercises, newer and more relevant examples, and more information on producing all contribute to giving readers what they need most: a nuanced understanding of how the media of today function in a world without news boundaries. |
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Broadcast News - Widescreen $8.99 Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, Rovi |